The world largest Barbie Flagship store and café built on the 35,000 square foot areas and most comprehensive collection of Barbie dolls and licensed Barbie products. The design concept of this store is how to make a figure where “Barbie is hero”; expression Barbie as a global lifestyle brand by building on the brand historical link to fashion.
All the exterior, interior, fixtures and furnishings are designed by Slade Architecture. It’s designed to create a sleek, fun, unapologetically feminine interpretation of Barbie: past, present, and future. The main color of this store interior and exterior is pink expressing Barbie’s cutting-edge fashion sense and history.
For the new facade, Slade Architecture combined references to product packaging, decorative arts, fashion and architectural iconography to create a modern identity for the store.
The facade is made of two layers: molded, translucent polycarbonate interior panels and flat exterior glass panels printed with a whimsical lattice frit pattern. Slade collaborated with designers at BIG, who created the final exterior frit graphics. The two layers reinforce each other visually and interact dynamically through reflection, shadow and distortion.
The Barbie Cafe, a beautiful restaurant and gelato bar on the top floor, offers guests the opportunity to take a break and enjoy both local comfort food and Barbie-inspired refreshments. Mattel and David Laris Concept planned both the Fashion Cafe and the Barbie Cafe. Both spaces were designed by Slade Architecture.
Historically, the daily life of the inhabitants of Al Ain, today the second largest city in the Emirate of Abu Dhabi, took place in the palm gardens of the oasis and the surrounding settlements and markets. To protect the oases, watchtowers and forts were erected. The Jahili Fort located in the modern-day centre of the city is the largest of Al Ain’s forts. Built in the 19th century by Sheikh Zayed the First, it can be seen from the Al Ain oasis to the west of the city. With its distinct three-tiered profile, the fort is now a national monument, pictured on the 50 Dirham note and often used as a logo or model for new architecture. The old fort was erected at the end of the 19th century.
The fort was recently restored by Roswag & Jankowski Architekten, Berlin.
The interior surfaces remain true to the historical appearance. The ceiling consists of palm rafters and palm leaves. A local clay plaster has been used for the interior wall surfaces. In the exhibition areas a grey coloured fine clay finishing plaster made by Claytec was used to create a neutral background for the exhibition spaces. The floors likewise follow historical precedence and are made of rammed earth stabilised with a wax to cope with greater wear and tear.
All new insertions such as doors and furniture, made of corian or wood composite, are coloured white differentiating them from the surrounding building. The external render of the existing walls was examined and repaired where necessary. Previous renovation works had employed a non-traditional plaster with added gypsum for the crenelations. This plaster is too rigid and already exhibited defects; it was replaced with a clay plaster. The building was then given an overall finishing coat of clay plaster. The earth plaster is maintained at regular intervals as is traditional with this historical material. When used as an external render, clay plaster should be regarded as a weathering surface that needs ongoing maintenance, typically every two years, sometimes after sustained periods of heavy rain. Sandstorms are also a cause of erosion.
Most of the spaces will house a permanent exhibition “Mubarak bin London: Wilfried Thesiger and the Freedom of the Desert” showing photographs taken in the 1940s by the researcher and explorer Wilfried Thesiger who in the 1940s crossed the deserts of the Arabian peninsula repeatedly travelling with Bedouins and documenting what he saw with a Leica camera.
The 90 cm thick external earth walls offer excellent thermal insulation. The additional insulation on the roof improves still further the indoor room temperature and together with the solar protection windows on the façade provide effective protection against the extreme heat outdoors. The building is kept at a constant 24°C using a water-based cooling system integrated into the plaster layer of the walls. This minimizes the need for additional air cooling so that only fresh air is required. The cool indoor temperature of the walls and the reduced need for cold air makes the indoor climate more comfortable and reduces the energy consumption. An actual room temperature of 24°C equates to a felt room temperature of 22°C.
The plant and technical installations for the entire fort are located below ground in the buffer zone.
The construction is made of traditionally available building materials including earth, palm products and to a lesser degree also timber. The quartered palm trunks can span a room of about 2.70 m and dictate the strongly partitioned structure of the historic buildings. The walls consist of air-dried earth blocks which can be built directly on the sandy ground without the need for foundations. A matting made of palm fronds covered with earth is laid on rafters made of split and quartered palm trunks arranged at an incline. The small amount of timber available was used for the door and window frames.
Historically, the daily life of the inhabitants of Al Ain, today the second largest city in the Emirate of Abu Dhabi, took place in the palm gardens of the oasis and the surrounding settlements and markets. To protect the oases, watchtowers and forts were erected. The Jahili Fort located in the modern-day centre of the city is the largest of Al Ain’s forts. Built in the 19th century by Sheikh Zayed the First, it can be seen from the Al Ain oasis to the west of the city. With its distinct three-tiered profile, the fort is now a national monument, pictured on the 50 Dirham note and often used as a logo or model for new architecture. The old fort was erected at the end of the 19th century.The fort was recently restored by Roswag & Jankowski Architekten, Berlin.
The interior surfaces remain true to the historical appearance. The ceiling consists of palm rafters and palm leaves. A local clay plaster has been used for the interior wall surfaces. In the exhibition areas a grey coloured fine clay finishing plaster made by Claytec was used to create a neutral background for the exhibition spaces. The floors likewise follow historical precedence and are made of rammed earth stabilised with a wax to cope with greater wear and tear. All new insertions such as doors and furniture, made of corian or wood composite, are coloured white differentiating them from the surrounding building. The external render of the existing walls was examined and repaired where necessary. Previous renovation works had employed a
non-traditional plaster with added gypsum for the crenelations. This plaster is too rigid and already exhibited defects; it was replaced with a clay plaster. The building was then given an overall finishing coat of clay plaster. The earth plaster is maintained at regular intervals as is traditional with this historical material. When used as an external render, clay plaster should be regarded as a weathering surface that needs ongoing maintenance, typically every two years, sometimes after sustained periods of heavy rain. Sandstorms are also a cause of erosion.
Most of the spaces will house a permanent exhibition “Mubarak bin London: Wilfried Thesiger and the Freedom of the Desert” showing photographs taken in the 1940s by the researcher and explorer Wilfried Thesiger who in the 1940s crossed the deserts of the Arabian peninsula repeatedly travelling with Bedouins and documenting what he saw with a Leica camera.
The 90 cm thick external earth walls offer excellent thermal insulation. The additional insulation on the roof improves still further the indoor room temperature and together with the solar protection windows on the façade provide effective protection against the extreme heat outdoors. The building is kept at a constant 24°C using a water-based cooling system integrated into the plaster layer of the walls. This minimizes the need for additional air cooling so that only fresh air is required. The cool indoor temperature of the walls and the reduced need for cold air makes the indoor climate more comfortable and reduces the energy consumption. An actual room temperature of 24°C equates to a felt room temperature of 22°C.
The plant and technical installations for the entire fort are located below ground in the buffer zone. The construction is made of traditionally available building materials including earth, palm products and to a lesser degree also timber. The quartered palm trunks can span a room of about 2.70 m and dictate the strongly partitioned structure of the historic buildings. The walls consist of air-dried earth blocks which can be built directly on the sandy ground without the need for foundations. A matting made of palm fronds covered with earth is laid on rafters made of split and quartered palm trunks arranged at an incline. The small amount of timber available was used for the door and window frames.
Pre-Engineered buildings are simple in definitions and concept, but extremely diversified in their uses and unique in each design. Each building is basically a system of components that are divided into Primary and Secondary framing, the cover and the accessories. Metal building components can be used in conjunction with other building materials in a building design that reflects the designer’s ideas, the end users needs and compliments the surroundings.
In short, Pre-Engineered Buildings are the buildings of today and future. They are quickly & progressively replacing the traditional method of construction with new ideas that are cost effective, energy efficient, environmentally responsible and aesthetically pleasing with facility of Future Expansion.
Pre-Engineered Buildings can be designed to customer’s needs. All buildings need to be designed and constructed in accordance with various standards to ensure safety, quality and aesthetics.
High Quality Welding Confirming to Latest Design Codes to be followed.
ADVANTAGES OF PRE-ENGINEERED BUILDING
Pre-engineered building system is un-matched in its speed and value. The buildings can be designed for Clear Spans up to 100 meters wide and have Heights above 30 meters. Other benefits include:
- Reduced Construction Time.
- Lower Cost.
- Flexibility of Expansion.
- Low Maintenance.
- Energy efficient roof and wall systems.
- Architectural Versatility.
- Environment Friendly
- Single Source Responsibility.
- Lighter weight as compared to conventional buildings.
- Seismic& Wind Pressure Resistant.
- No fire hazards.
- Weather Proof
APPLICATIONS OF PRE-ENGINEERED BUILDINGS
- Warehouses
- Cold Storages
- Factories
- Workshops
- Offices
- Oil/Gas Stations
- Parking Sheds
- Showrooms
- Aircraft hangars
- Ship Fabrication Sheds
- Auditoriums
- Stadiums
- Labour Camps
- Living Shelters
- Hospitals etc.
- Supermarkets
- Railway Stations
- Telecommunication Shelters
- Institutional Buildings.
RELATED Articles: Pre Engineered Building, Pre Fabricated Building Construction, Prefabricated Sandwiched Polyurethane Panels, Colour Coated Metal Roof Sheeting and Wall Cladding, Thermal Insulation, Acoustic Insulation, Water Proofing, False Ceiling, False Flooring, Electrical Heat Tracing, Build Safe, Technologically Advanced, Versatility in Design & Fabrication, Energy Efficient, Cost Effective Steel Building,
Living room - this is the room where you can spend a great deal of time working, relaxing, celebrating holidays. Therefore, in order of importance, we propose first to consider how to change the interior in the living room.
The most radical, but a suitable and efficient method - overdye wall in the living room. This is the most radical option, but good: a little try now to prepare walls for painting, since you can change colors as often as you wish. We recommend that you experiment a bit with the flowers: the central or most prominent wall pokraste in a certain color, while the other walls in other shades of the same color. You do not even know your living room: it was so pipe up in different colors. Can a wall plastered with paper, but other colors are painted in tones of wall-paper - will also look very attractive and unusual. The most creative nature can not dwell on the usual paint and done, for example, a quote from any work through the stencil and thin brushes.
When painting, do not rush to return all the furniture in the room, it is better to give yourself more space, it shows how life is unnecessary items in the room, which serve as ornaments, but this function perform poorly, and are not used frequently.
If you have a living room not only for leisure but for work, then invite you to isolate the two zones: the working and living. The border should not be insurmountable, it is usually enough visual effect: different shades of colors, textures carpet. You can make shelves for books or a mobile bulkhead. If the rail I do not want to or not possible, then you can just hide the computer and all equipment in the special secretaire, that he and the place is not occupied and does not disturb relax. For conductors, there are special boxes, which are up to 5 wires.
Old furniture, which you keep as a memory better than does this by removing and give it a new form through repainting or decoration. The practice shows that the old things still do not lose their attractiveness, and the functions performed well.
To refresh old sofa would suffice to purchase new blankets.
And if you have gathered to change the furniture in the room, while looking a furniture version of transformers on wheels.
To decorate the room accessories of different types and forms, take the basis of one tone, and then you no longer exist doubts whether they are suited to each other.
Okay fine mirrors in the room, which can visually expand the space of the living room and give her chic look.
