The Hill House Chair was designed in 1902-1903 by the Scottish architect and designer Charles Rennie Mackintosh for the publisher W.W. Blackie.
Originally painted white, this high, narrow Hill House chair was meant to be decorative - not to be actually sat on.
The original still resides in the bedroom of the Hill House in Helensburgh.
Eileen Gray (1878-1976) was a popular Modernist during 1920s and 1930s. Trained as an architect, Gray opened a design workshop in Paris, where she created carpets, wall hangings, screens, and enormously popular lacquer work.
She also exhibited several architectural projects at Le Corbusier's "Pavillion des Temps Nouveaux" in 1937. The Nonconformist Chair by Eileen Gray has only one armrest. It is designed to accommodate the owner's favorite resting position.
Today, she is recognized as one of the finest designers and architects of her day and pieces like the Eileen Gray Table have become icons of modern design.
The Nonconformist Chair by Eileen Gray
The Bibendum armchair (1927) by Eileen Gray
Le Corbusier was born in 1887 in the Swiss town of La-Chaux-de-Fonds, located within a few kilometers of the French border.
He attended school in his home town where he studied the visual arts and architecture. In 1910, he landed a job working in Germany in the office of Peter Behrens where he may have met Walter Gropius and Ludwig Mies van der Rohe.
Unlike his problematic theories for urban planning, Le Corbusier's designer furniture is still very much admired by collectors of modern and Bauhaus seating.
In the Red Blue Chair, Gerrit Rietveld manipulated rectilinear volumes and examined the interaction of vertical and horizontal planes, much as he did in his architecture.
Although the chair was originally designed in 1918, its color scheme of primary colors (red, yellow, blue) plus black—so closely associated with the de Stijl group and its most famous theorist and practitioner Piet Mondrian—was applied to it around 1923.
Hoping that much of his furniture would eventually be mass-produced rather than handcrafted, Rietveld aimed for simplicity in construction. The pieces of wood that comprise the Red Blue Chair are in the standard lumber sizes readily available at the time.
Josef Hoffmann (1870-1956) studied architecture at the Academy of Fine Arts in Vienna, Austria, under Art Nouveau architect Otto Wagner, whose theories of functional, modern architecture profoundly influenced his works, and in 1896 he joined his office.
Kubus Arm Chair of 1910 is one of the prize collections for its proud owners.
