Probably the most admired modern furniture style in history is the Barcelona concept by designer Ludwig Mies van der Rohe.I doubt there is anyone who has not seen or relaxed in the Barcelona chair that exudes a mid-century classic chrome and leather in a most timeless modernistic design. The Barcelona Bed collection draws from van der Rohe's aesthetics with a headboard and frame that are upholstered in soft, full grain aniline leather offering a stately and formal appearance. Expertly tailored, the individual leather squares are sewn together using the capitonne technique, detailed with piping over each seam and then buttoned to create a tufted appearance. Length: 86.5" Width: Q=64" K=80" Headboard Height: 42" Headboard Depth: 4" Frame Height: 12".
Wallpaper magazine voted it as the best new restaurant. Banq restaurant is located at the base of the old Penny Savings Bank, in an early 20th century building abandoned for years in Boston. After the building's reconstruction two segments emerged, the front area programmed to be a bar and the larger hall which would serve as the dining area. The architect's managed to overlap any structural problems and create a fancy restaurant out from an abandoned place. Find out how inspiration can help a project find its place in the world's best restaurants list.
Text by the Architects :
Located in the old Penny Savings Bank, Banq is a new restaurant located at the base of the old banking hall. Divided into two segments, the front area on Washington Street is programmed as a bar, while the larger hall behind serves as the dining area.
The design of the space, however, is conceptualized around another division, on the z axis, between the ceiling and the ground. If the ground needs to remain flexible as a result of fluctuating activities of the restaurant space-- two seaters, fours, and sixes, among a range of other organizations related to parties and other events-- then, the ceiling contains fixed programs that are part of the building's infrastructure-- the structure, drainage, mechanical equipment, sprinkler system, lighting, and other the acoustic systems. To that end, we have developed a striated wood-slatted system that conceals the view of the mechanical, plumbing, and lighting systems on the longitudinal axis, while offering a virtual canopy under which to dine.
The geometry of the wood slats conform to each equipment above, but are also radiused in order to smoothen the relationship between other adjoining equipment, creating a seamless landscape. The columns and the wine storage, in the middle of the hall, serve to uphold the fiction, and appear to be suspended from the ceiling. if the longitudinal axis emphasizes the seamless surface, then lateral views offer striated glimpses into the service space above, and demystify the illusion.
To underline this strategy, certain areas of the ceiling "drip" and "slump", acknowledging the location of to place exit signs, lighting features, and other details. Below the ceiling, the functional aspects of a dining space are fabricated with warm woods and relaminated bamboo amplifying the striping affect already at play throughout the space. Striations of the ground, the furnishings, and the ceiling all conspire to create a total effect, embedding the diners into the grain of the restaurant.
Acknowledging the historical setting of the building, the ceiling hovers away from all interior walls and instead finds its support in suspension from above. Nearly running the entire width of the space, each rib of the undulated ceiling is made from unique pieces of three-quarter-inch birch plywood adhered together in a scenario that likens to a puzzle; only one possible location for each unit, formulating the continuous member. These continuous members are fastened to the main structural ribs running perpendicular to the lattice, tracing both the overall ceiling topography and the steel supports of the base building.
Spacing between the visible ceiling ribs is variable; compressing and releasing to maintain visual densities of the overall surface as seen from different angles.
I am often amazed at the ingenuity of architects and designers as they challenge our concept of shape and space. This unique shaped contemporary building is located in Monaco where it resides in a prestigious area steeped in history. This four-story building is planned to have a café at its first level and offices above. On the fourth level is to be an office where the honorary consular of Monaco will reside offering a grand place to meet and greet dignitaries and important guests.
Part of the scope of this project was that Monaco wanted to create a sense of urbanism as it is has slowly eroded over time. According to the architect firm, McBride Charles Ryan, this type of project is rare. I applaud the government for getting behind such a wonderful contemporary architecture project. I am sure that this building will be a sight-seeing stop for tourists.
